WRITER & DIRECTOR
2016 Season presented by Monash Uni Student Theatre
Trades Hall, September 2016 
2017 Season presented by Monash Uni Student Theatre and fortyfivedownstairs
fortyfivedownstairs, May 2017
Melchior, Moritz and Wendla are on the cusp of adulthood, pulled between innocence and responsibility. Physically blossoming and emotionally vulnerable, they have to find their own way when the adult world around them seems incapable of guiding them.
Returning to MUST after the sell-out 2013 production Columbine, Green Room nominee Daniel Lammin and a team of talented young theatre makers both honour the legacy of Wedekind’s controversial play and question current Australian attitudes towards the transition into adulthood. In the midst of our national crisis over teenage mental health and sexuality and debate fuelled by ignorance and bigotry, Awakening brings this timeless classic crashing into the twenty-first century.

Featuring
Nicola Dupree, Samantha Hafey-Bagg, Eamonn Johnson, 
James Malcher, Sam Porter & Imogen Walsh

2016 Season
Stage Manager & Production Manager: Kate Brennan 
Assistant Stage Managers: Doug Rintoul and Alanah Allen 
Dramaturge: Liam Fergeus
Production Design: Jules Kaddatz 
Costume Design: Charmian Sim
Lighting Design: Shaun Haney
Composition: Sam Porter
AV Design: Justin Gardam
Choreography: Kate Brennan
Lighting Assistant: Caitlin Irwin
Assistant Production Manager: Valerie Tan
PR & Marketing Manager: Sian Halloran 
Marketing Assistant Grant Napitupulu 
Publicity Photography: Jules Kaddatz
Publicity Design:  Daniel Lammin 
Front-of-House Managers: Em Mirmoayedi and Erica Royle
Front-of-House Support: Nivedita Venkatasubramanian 
Directing Assistants: Krystal Gayton and Stephen Amos

2017 Season
Stage Manager: Douglas Rintoul
Assistant Director & Assistant Stage Manager: Alanah Allen 
Production Manager Kathryn Yates
Assistant Production Manager: Emily Vitiello 
Executive Producers: Cameron Lukey and Yvonne Virsik 
Dramaturge: Liam Fergeus
Production Design: Julia Kaddatz
Costume Design: Charmian Sim
Lighting Design: Shaun Haney
Sound Design & Composition: Sam Porter
AV Design & Audio Engineer: Justin Gardam 
Choreography: Kate Brennan
Lighting Assistant: Brayden Haney
Publicity Photography: Sarah Walker
Publicity Design: Daniel Lammin



★★★★
"A radical and devastatingly effective adaptation."
Cameron Woodhead, The Age

★★★★
"Magnificent... At once true to the spirit of Spring Awakening and yet a meta-textual updating that illuminates across the ages."
Stephen A Russell, The Lowdown Under

"It gave me a fist-size ball of pain under my heart but ultimately left me so happy that young theatre makers are confronting the bullshit that surrounds them..."
Anne-Marie Peard, Sometimes Melbourne

"Awakening is superb... one of the most affecting and compelling pieces of theatre l've seen all year." 
Richard Watts, 3RRR/ArtsHub

"Powerful, important and necessary... Some of the finest theatre happening at the moment."
Myron My, My About Town
Photography: Theresa Harrison (2017 Season) and Nura Sheidaee (2016 Season)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2016 Production (Nura Sheidaee)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
2017 Production (Theresa Harrison)
Directors Notes
from the 2017 production
I've dreamed of Spring Awakening since I became a theatre maker. It haunts me and confuses me and takes my breath away, a work of unbridled ferocity and enormous humanity. I’ve always believed that we, as a country, comfortably ignore or disregard the needs of young people, turning a blind eye while they spiral into self hatred and explode in acts of violence towards themselves and one another. It makes me so incredibly angry and in every word of Frank Wedekind’s masterpiece is that same anger. I’ve never found another play that possesses such anger for the disregard and mistreatment of youth.
I wasn’t interested in what I had to say about this play though - I wanted to hear what those closer to those experiences had to say. Awakening is an adaptation, a variation on a theme. The DNA of the original play is all there, the same characters and ideas, but through the lens and voices of every name you see attached to it. This is our response to Spring Awakening, its enormous legacy and what it can say to us now in this country. Children are being mistreated in institutions meant to protect and educate them, taking their lives at ages where death should not even be a comprehendible concept for them and being used as pawns in a war waged by bigots over what being a ‘safe school’ means. We have a responsibility to them, and we are letting them down.
The response to the original season of Awakening took us all by surprise, and the fact we have been given the opportunity to revisit it in a theatre as important as fortyfivedownstairs is very humbling. They have shown great faith in us and the entire community at Monash Uni Student Theatre, demonstrating that they believe as I do that the work of student theatre makers is not only important to the Melbourne theatre ecology, but vital. I cannot thank them enough for this.
Awakening is an exorcism of demons. It resurrects that song we all forget eventually but one that sounds so hauntingly familiar. It is a love letter to a masterpiece, a roar of anger and a plea for understanding when it seems like no-one is listening. If it makes one ounce of change in the world, then we’ll have done what we set out to do.
2016 Production
Poster Image by Jules Kaddatz
Poster Design by Daniel Lammin
2017 Production
Poster Image by Sarah Walker
Poster Design by Daniel Lammin
Back to Top